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This piece is a suit of yoroi armor. It is dated to the 14 th century coming from the late Kamakura period. Yoroi armor is distinguished by its wrap around design. One piece folds around the wearer, and is closed on the right side. The iron has gone through an extensive lacquering process which made the armor completely waterproof. The breastplate is covered by an image of Fudo Myo-o, a powerful Buddhist deity whose fierce demeanor and aspects of calm and inner strength appealed to samurai. The Kamakura period brought little change to military equipment at first. It wasn’t until the 13 th century that the changes were easily visible. The helmets were made somewhat lower and more rounded. The plates that were fastened to the helmet used smaller rivets. The samurai changed the way they did up their hair for the helmet, with the new style utilizing a cap secured to the head with a sash. The lacquered iron bits that made up the outer case of the armor were made smaller, which reduced the weight of the armor without sacrificing strength. Armored sleeves that were worn on the left arm sported additional plates that weren’t present in earlier years. First on the forearm, and more were added in later years on the elbow and upper arm. They were all lacquered iron or leather with gilt rims. Shin guards became a standard piece of armor during this period. Changes in armor were brought about near the end of the period. Much of the fighting at this time was done on foot. Yoroi armor was very heavy for dismounted combat, so samurai instead used the footman’s breastplate, which was closer fitting and much more comfortable. The Kamakura period began the decline of yoroi armor’s popularity for use in battle. It was still in use until the 16 th century, but gradually lessened. While the yoroi was developing, there were variations not only in color but with geometric patterns that used several different colors. These patterns were given self descriptive names such as red silk-laced armor. The breastplate was covered with a leather apron to prevent the bowstring catching on the bits. Under the armor, the samurai wore a special robe. It had full sleeves that could be drawn in with cords, and full matching breeches that also had cords that drew them up to the knees. Many decorations were reserved for generals, such as adding horns to the helmet, or modifications to the bow that were more based in appearance. Most decorative features, however, had practical uses. Many, in fact, were integrated into the armor so that they not only looked good, but were essential to the strength and function of the armor. Some equipment was of uncertain utility. One piece of equipment, the horo, was a cape that ballooned out behind the wearer as he moved. It was said to “entangle arrows”. Considering a samurai was never supposed to turn his back on an enemy, the usefulness of such an encumbrance is questionable. |