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General Description:

Study to gain an overarching understanding of the role of the arts in society, especially the artist’s role as a catalyst in social change, through an interdisciplinary studies track that integrates the following four components:

(1) History or Cultural Studies from at least two different departments

(2) A rigorous study from an “Arts” department, in this case, music

(3) At least two ethics/religious components preferably from varied traditions

(4) At least two environmental science classes.

“I live to see the day when this world of black and white considers the possibilities of having different shades of grey.”
Dark City

ASC Links:

- Hip Hop and Social Change at the Field Museum, Chicago

- Hip Hop Press

- Local movements taking fruit

- The Circle – The Hip Hop Archive

- A page dedicated to Hip Hop for Social Change

- A website called Pioneers of Change contains a page called “Arts for Social Change”

- US: Mobilizing the Hip-Hop Generation by Jesse Alejandro Cottrell, WireTap

- Hip-hop Nation By Suzy Hansen, Salon

- Hip Hop as a Political Tool By Yvonne Bynoe, AlterNet

Freshly Prepared
May 7, 2007

Narrative

Verse One
Many centuries/ before us/ there was a Milanese/
Who owned a bakery/ to support his family/
Hands leathery/ due to impatient burns/ still
Appreciated his brick oven fueled with hickory

He had love in his heart/ until a wintery night/
When a robbery unforeseen had injured his wife/
Not quite fatal but her recovery was strife/
To Fiore who spent all his gold for her life/

Multiple surgeries/ expensive drugs from the pharmacy/
He didn’t give a damn/ but diminished was his salary/
And the act of baking bread turned into drudgery/
As his money lenders crept up like leprosy/

Eventually/ the bankers claimed the biz ness/
His family sat silently/ while they bore wit ness/
To a loving husband and father gone heart less/
Fist less/ and empty like a home less’ wish list/

Verse Two
And years before that/ somewhere in Hungary/
A peasant woman sat/ sewin an embroidery/
A mystery she finds time from medieval slavery/
To fabricate a dress for her daughter’s anniversary/

For being alive at the age of five/
‘Cause the plague forced many to say early good-byes/
and that’s how the father and the son had died/
long nights were spent as they held each other and cried/

And even though their lives/ would never be the same/
They had to go on/ and keep searchin’ for better days/
But the shades were formidable to allow lee way/
For the sun in the sky/ to shine down their way/

With the two of them left/ farming became a stress/
Estahazy didn’t care that half the fam was dead/
Instead/ they abused their power to seize the farmstead/
The rest of the story better left unsaid/

Verse Three
Not too long ago/ iu Northwest Michigan/
A Finnish lumberjack took off his Sunday cardigan/
To get into some good ol’ fashioned shenanigans/
And entertain his sons and nephew from Oregon/

With good reason/ it was yuletide season/
A time to give a back a rest from all the trees and/
Show compassion to the nuggets with treats and/
Stare at his wife as they stroll down Elysian/

And he loved his work/ from the beginning
He could look at a tree and know how many boards were in it/
His crew eventually became mindful to mimic/
Man’s respect for the trees/ from the start to finish/

Astonished/ by the wonderous ways of the woods/
He tried to preserve them/ as best as he could/
As long as he understood/ the sustainable balance/
Make room for them to grow/ and get food from borealis/

Hands callused/ and sweaty as he worked one day/
Noticed a pair of smoke stacks/ rising up his way/
But Kononen didn’t let it overweigh his day/
Until a caddy pulled up/ with men in suits who said/

We’re a lumber company/ and we’d like your business/
See we bought all this land/ but your two hundred acres/
Why don’t you work for us/ and sell us your land/
And be our head lumberjack/ and get a cash reprimand?

The offer seemed too good for him to with stand/
So Kononen went ahead and said “yes” to their demands/
And they gave him somethin’ like seven or eight grands/
But from then on he bet on obeyin’ their commands/

But what he didn’t know about/ was his company’s ethics/
Which was non-existent/ even down to the basics/
Started clearcuttin’ acres/ mass produce papers/
All in one belching factory that took over labor/

So from that day on/ Kononen hit the front lines/
Waged a battle unwanted/ against the tall pines/
An ambitious program of no tree left behind/
What’s God’s design/ nature or machine that’s blind?

Bridge
Despite differences/ and oceans of distances/
Humanity seems to be an array of grievances/
Whether you poor as dirt/ or licenced for indulgences/
The keepers of your world will throw down on hindrances/

And infiltrate/ every aspect of your day/
From café/ skyway/ to your nearest target/
If I could choose/ I’d rather be alive than be paid/
cause once you let em’ one, they’ll take it all away/

Verse Four
A woman in her thirties/ a recently freed slave/
Crossed the Mason-Dixon to look for better pay/
And a new llife in Chicago where her cousin stayed/
And hoped to start a family and a home someday/

She walked/ under the sun and the moon/
Her feet maroon/ from treading the month of June/
Folks who passed her/ offered water and dried food/
And her hope for the morrow strengthened her immune/

Chicago!!! She was finally here/
Unfamiliar/ but indeed a lively atmosphere/
Symphony premiers/ and fancy chandeleres/
She dreamed of living without pain without fear/

Her cousin came near and embraced sweet Lily/
Reminisced and asked about each others family/
Went around the alley/ bought two cups of chilli/
And told her about a flat and a job that pays weekly/

Right to work/ as a chimney sweeper/
For a man who hooked her up with soot to sweep up/
And he owned a bunch of flats/ like the one Lily took up/
And the other ones were occupied with other cheap work/

She soon learned the money’s just enough/
To pay the rent/ and buy basic food stuff/
Even the corner store was owned by Mr. Buff
Who took off credit from her weekly pay stub/

Transition
So let me redifine/ I feel so inclined/
To reveal t he history omitted by masterminds/
The kind who misaligned our basic lifestyle/
To chain us to their game/ resistance is futile/

The stories enshrined/ of the souls intertwined/
I realize there’s a part of me in all humankind/
The most high and the most fit/ will continue to climb/
Since nothing really new happens under the sunshine/

And I find myself/ strapped down/ by dead clowns/
Who own grounds/ tax towns/ can’t hide ‘cause you’ll be found
By people who got it/ pharmaceutical monsters got it/
Wearing a mask as daily aid/ stimulants that will get you laid/

Anxiety from a life-go-round/ Xanax will help you fade/
Who’s got it? Evian and Brita water filter’s got it/
Pollute the natural water to the point where we gotta have it/
Who’s got it? Monsanto and Cargill’s got it/
Super DNA/ sayin’ it’s the only way/
Passin’ through the farms/ spray the seed to seize the day/
And while they’re at it they’ll also seize your land away/

Because According to them/ you used their seeds without pay/
And that allows em legal rights with power to confiscate/
Any super crop or the land it engrained/
Don’t feel betrayed it’s just the way playas play/
Using humanity’s struggle as a bridge to lay the barricade/

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