Music Ensembles Faculty

Steven Amundson
Professor of Music — Theory and Conducting
Conductor of the St. Olaf Orchestra

amundson@stolaf.edu

Amundson holds a B.A. from Luther College and an M.M. in orchestral conducting and music theory from Northwestern University. He pursued further study in orchestral conducting and musicology at University of Virginia and the Aspen Music School. In 1980, Amundson was winner of the Hans Haring Prize in conducting in Salzburg, Austria. He is the Minnesota Music Educators' Association 1992 recipient of the "Orchestra Educator of Year" award. Formerly the music director of the Tacoma Youth Symphony, Amundson is the founding conductor of the Metropolitan Symphony in Minneapolis and served as the music director of the Bloomington Symphony for 13 years. A published composer, Amundson is also active as a guest conductor and clinician.

Anton Armstrong
Harry R. and Thora H. Tosdal Professor
of Music — Voice and Conducting
Conductor of the St. Olaf Choir
armstron@stolaf.edu

Armstrong received a B.M. in vocal performance from St. Olaf College, an M.M. in choral music from the University of Illinois, and a D.M.A. in choral conducting from Michigan State University. He has studied voice with Robert Scholz, Burr McWilliams, James Bailey, and Ethel J. Armeling. Armstrong is active as choral clinician and festival conductor (including numerous all-state choirs) throughout North America, the Caribbean, Scandinavia, Europe, and the Pacific Rim. He has special interest and experience in training the young and adolescent singer. He is an active member of the American Choral Directors Association and Choristers Guild (Past President, National Board of Directors) and former artistic director of Albermarle (the coeducational summer program of the American Boychoir School, Princeton, N.J.)

Christopher Aspaas
Assistant Professor of Music — Voice and Choral Conducting
Conductor of Chapel Choir and Viking Chorus

aspaas@stolaf.edu

Dr. Aspass recieved his M.M. in Choral Conducting from Michigan State University in East Lansing, and his B.M. in Voice Performance from St. Olaf College in Northfield, Minnesota. Dr. Aspaas recently completed his Ph.D. in Choral Music Education at The Florida State University in Talahassee, Florida. He was the Interim Director of Choral Studies at Central Washington University. Prior to pursuing his doctorate, Dr. Aspaas was on the faculty of Mount Holyoke College in South Hadley, Massachusetts. While there, he conducted the Concert Choir and Cantamus, taught private applied voice and choral conducting. Additionally, Dr. Aspaas served as Acting Director of Choral Activities in 2000-2001 and conducted the Glee Club and Chamber Choir, who performed the Durufle' Requiem and Bach's Mass in B Minor.

Since 2001, Dr. Aspaas has sung with the Oregon Bach Festival Chorus in Eugene, Oregon, under the direction of Helmuth Rilling. He has recently performed as a soloist with Rilling and the Oregon Bach Festival Orchestra, the Bach Collegium of Fort Wayne, Indiana, the Tallahassee Symphony Orchestra, the Indianapolis Chamber Orchestra, and the South
Dakota Symphony Orchestra. He has participated in master classes with Ingeborg Danz, John Wustmann and Bradley Ellingboe, and remains active as an adjudicator, clinician and researcher.

John Ferguson
Elliot and Klara Stockdal Johnson
Professor of Organ and Church Music
Minister of Music to the Student Congregation

ferg@stolaf.edu

Ferguson earned a B.M. from Oberlin, an M.M. from Kent State University, and a D.M.A. from the Eastman School of Music, where he studied with Russel Saunders. Ferguson is one of America's most respected church musicians and teachers. He has been invited as a visiting professor by the faculties of the University of Notre Dame and the Yale Institute of Sacred Music. He is respected as a fine teacher and performer, and his work as an improviser and leader of congregational song has received national acclaim.
     John Ferguson's name is immediately associated with hymnody and the words "hymn festival." Every year he is invited to design and lead such events, both in local congregations and at gatherings of organists, choral conductors, and church musicians. In 1995 he designed and led a hymn festival in the Washington National Cathedral, for the American Choral Directors Association national convention and in 1998 did the same at the national convention of the American Guild of Organists in Denver. He has presented such events abroad as well both in Asia (July, 1996 in Seoul, Korea) and Europe (August, 1997) in the National Cathedral of Norway, Nidaros Dom, Trondheim, as a part of the celebration of the millennium of the birth of St. Olaf. Although he is a Lutheran, his festivals are ecumenical experiences drawing upon the greatest treasures of Christian song from many centuries, traditions and styles.

David Hagedorn
Artist in Residence — Percussion, Theory, and World Music
Director of Jazz Ensembles

hagedord@stolaf.edu
http://www.stolaf.edu/depts/music/percussion


Hagedorn earned a B.S. in music education from the University of Minnesota, where he studied with Marv Dahlgren and Paula Culp of the Minnesota Orchestra; an M.M. in percussion performance from the New England Conservatory, where he studied with Vic Firth of the Boston Symphony; and a D.M.A. in percussion performance from the Eastman School of Music, where his principal teacher was John Beck. Hagedorn has recorded with the George Russell Living Time Orchestra on Blue Note Recordings and the Saint Paul Chamber Orchestra on Teldec Recordings. He regularly performs in a jazz oriented percussion duo, Schag, with Dave Schmalenberger and does freelance work in the Twin Cities with groups such as the Saint Paul Chamber Orchestra, Minnesota Contemporary Ensemble, and Plymouth Music Series.

Gerald Hoekstra
Professor of Music — History & Literature
Conductor of Collegium Musicum and Early Music Singers

hoekstra@stolaf.edu
http://www.stolaf.edu/people/hoekstra

Hoekstra teaches music history and directs St. Olaf's early music ensembles, the Collegium Musicum and the Early Music Singers. His area of specialization is music of the Renaissance, particularly the French and Flemish chanson. He has published articles in The Choral Journal, Early Music, Musica Disciplina, and Speculum, and he has published critical editions of music of Hubert Waelrant and André Pevernage. He is a member of the American Musicological Society, Early Music America, and the Viola da Gamba Society of America. Hoekstra earned his B.A. from Calvin College and master's and doctoral degrees in music history from The Ohio State University under a University Fellowship.

Sigrid Johnson
Artist in Residence — Voice
Conductor of the Manitou Singers

johnsos@stolaf.edu

Johnson received a B.M. in vocal performance from St. Cloud State University and an M.M. in voice performance from the University of Michigan. She is the conductor of the Manitou Singers.  Before her appointment at St. Olaf, she was on the music faculties of Gustavus Adolphus College in St. Peter and at the University of Minnesota in Minneapolis. Ms. Johnson is also the Associate Conductor of the Ensemble Singers and Chorus for Philip Brunelle’s VocalEssence, formerly known as the Plymouth Music Series of Minnesota.

Ms. Johnson maintains an active schedule as a guest conductor and clinician at choral festivals and all-state music festivals across the country and has conducted choral workshops in Australia.  She is a member of the American Choral Director's Association (ACDA), Music Educator’s National Conference (MENC), the International Federation for Choral Music and Chorus America.

In January through March 1999, Ms. Johnson conducted the National Lutheran Choir of Minneapolis.  Ms. Johnson has served as Conductor of the Dale Warland Symphonic Chorus and the Associate Conductor of the Dale Warland Singers.  She has prepared symphonic choruses for Neemi Jarvi, Sir Neville Mariner, David Zinman, Stanislaw Skrowaczewsky, Gerard Swartz, Edo de Waart, and Leonard Slatkin among others.

In August 2002, she was one of the featured lecturers for the Sixth World Symposium on Choral Music.  In October 2004, Mrs. Johnson was a featured lecturer and clinician at the Australian National Choral Directors National Conference in Adelaide.  In 2006 she was a member of the esteemed jury for the Bela Bartok International Choral Competition in Debrecen, Hungary and in 2008 she will be a lecturer on choral sound for the Eighth World Symposium on Choral Music in Copenhagen.

Jill Mahr
Instructor in Music - flute
Conductor of the Handbell Choir

mahrj@stolaf.edu

Ms. Mahr holds a B.M. degree in flute performance and music education with a jazz minor from the University of Minnesota, Duluth. She earned a Master of Music degree in Flute Performance at Northwestern University, where she studied with Walfrid Kujala of the Chicago Symphony. In addition to flute instruction, Ms. Mahr directs the St. Olaf Handbell Choir, the St. Olaf Chapel Ringers, and oversees the direction of the student-led Manitou Handbell Choir. Previously she was director of the King's Ringers at Mount of Olives Baptist Church in Duluth, MN. She is an active member of AGEHR (American Guild of English Handbell Ringers) and is currently their Area VII secretary. Ms. Mahr is principal flute in the Mankato Symphony Orchestra, flute instructor at Minnesota State University in Mankato, Carleton College and has a private flute studio in her home.

Timothy Mahr
Professor of Music — Composition and Conducting
Conductor of the St. Olaf Band

mahr@stolaf.edu

Timothy Mahr holds a B.M. degree in composition and a B.A. degree in music education from St. Olaf College and a master's degree in trombone performance and a D.M.A. in instrumental conducting from the University of Iowa. An internationally acclaimed composer, Dr. Mahr received the 1991 Ostwald Award in the ABA Band Composition Contest for his composition The Soaring Hawk. He was elected to the American Bandmasters Association in 1993. Formerly director of bands at the University of Minnesota-Duluth and founding conductor of the Twin Ports Wind Ensemble, Dr. Mahr is the principal conductor of the Minnesota Symphonic Winds and is active as a clinician and guest conductor nationally and internationally. Recent commissions have come from the United States Air Force Band, the Music Educators National Conference, and the American Bandmasters Association. Over a dozen of his works for band have been published, with many released on compact disc recordings and included on state contest lists. Dr. Mahr is a past-president of the North Central Division of the College Band Directors National Association (1999-2001), has served on the Board of Directors of the National Band Association (1996-98) and was a founding board member of the Minnesota Band Directors Association.

Paul Niemisto
Associate Professor of Music — Low Brass
Conductor of Norseman Band

niemisto@stolaf.edu
http://www.stolaf.edu/people/niemisto

Niemisto earned B.M. and M.M. degrees from the University of Michigan School of Music. He is conductor of the Norseman Band here at St. Olaf College. He has been a member of the Scandinavian Symphony Orchestra of Detroit, Toledo Symphony, Flint (Mich.) Symphony, Las Palmas Opera Festival Orchestra (Spain), and Atlantic Symphony Orchestra (Canada). Niemisto studied trombone with Edward Kleinhammer of the Chicago Symphony and tuba with Abe Torchinsky. In recent years, he has been a clinician and soloist at festivals in Canada and Scandinavia, and he founded American Poijat, a Finnish brass band.

Jack Yates
Instructor in Music — Gospel Choir Conductor
yates@stolaf.edu

Jack Yates is a member of the renowned James Grear and Company of Minneapolis where he serves as one of the lead singers and staff songwriters of GrearCo Productions. With this ensemble he has toured and recorded extensively. Several of these recordings have reached national acclaim. Jack has worked with the famous duo, Jimmy Jam and Terry Lewis, performing on the Prince of Egypt and Emperor’s New Groove soundtracks. He is well know for his vocals on Don’t Give Up (1998), Set Me Free (2000) and Peace Be Still (2002), all of which he recorded on the James Grear Projects. Jack provided the lead vocals on a remake of Youngblood’s classic from the 70s, Get Together, which has received rave reviews in both the gospel and mainstream markets.

Jack graduated from St. Olaf College in 1994.