Armstrong received a B.M. in vocal performance from St. Olaf College, an M.M. in choral music from the University of Illinois, and a D.M.A. in choral conducting from Michigan State University. He has studied voice with Robert Scholz, Burr McWilliams, James Bailey, and Ethel J. Armeling. Armstrong is active as choral clinician and festival conductor (including numerous all-state choirs) throughout North America, the Caribbean, Scandinavia, Europe, and the Pacific Rim. He has special interest and experience in training the young and adolescent singer. He is an active member of the American Choral Directors Association and Choristers Guild (Past President, National Board of Directors) and former artistic director of Albermarle (the coeducational summer program of the American Boychoir School, Princeton, N.J.) |
Dr. Aspass recieved his M.M. in Choral Conducting from Michigan State University in East Lansing, and his B.M. in Voice Performance from St. Olaf College in Northfield, Minnesota. Dr. Aspaas recently completed his Ph.D. in Choral Music Education at The Florida State University in Talahassee, Florida. He was the Interim Director of Choral Studies at Central Washington University. Prior to pursuing his doctorate, Dr. Aspaas was on the faculty of Mount Holyoke College in South Hadley, Massachusetts. While there, he conducted the Concert Choir and Cantamus, taught private applied voice and choral conducting. Additionally, Dr. Aspaas served as Acting Director of Choral Activities in 2000-2001 and conducted the Glee Club and Chamber Choir, who performed the Durufle' Requiem and Bach's Mass in B Minor. Since 2001, Dr. Aspaas has sung with the Oregon Bach Festival Chorus in Eugene, Oregon, under the direction of Helmuth Rilling. He has recently performed as a soloist with Rilling and the Oregon Bach Festival Orchestra, the Bach Collegium of Fort Wayne, Indiana, the Tallahassee Symphony Orchestra, the Indianapolis Chamber Orchestra, and the South |
 Mark Calkins Instructor in Music — Voice calkins@stolaf.edu Mark earned a B.M. in K-12 Music Education from Concordia College, Moorhead and his M.M. in Voice Performance & Pedagogy from the University of Colorado, Boulder. He is a current recipient of the Ted & Roberta Mann Scholarship working toward his D.M.A. at the University of Minnesota. Mark Calkins has appeared in leading roles with opera companies throughout North America and Europe. He has performed Count Almaviva in Il Barbiere di Siviglia, Lindoro in L’Italiana in Algeri, The Prince in La Cenerentola, The Count in Le Comte Ory and Oreste in Ermione to critical acclaim in Opera houses such as: Opera De Nantes, France; Dublin Grand Opera, Ireland; Cologne Opera, Germany; The Lyric Opera of Chicago, Birmingham Opera, Chautauqua Opera, Chicago Opera Theater, Castleward Opera, Northern Ireland; Kentucky Opera, Cincinnati Opera, Toledo Opera, Minnesota Opera, Opera Omaha, Mobile Opera, Central City Opera and Dayton Opera. A former member of the Lyric Opera of Chicago’s young artist development program, the Lyric Opera Center for American Artists, Mark was featured as Cassio in Otello on an A&E nationwide production of Spotlight Colorado and starred in a National PBS Television broadcast and World Premiere of Robert Greenleafs’ Under the Arbor, available on DVD. Concert engagements include appearances in Europe’s Music festivals in Salzburg, Bregenz, Villach, Austria; Merano, Italy and Bremen, Germany with Roger Norrington conducting the London Classical Players in Rossini’s Stabat Mater. He has appeared throughout the U.S. in Broadway touring productions of Phantom of the Opera. Professor Calkins joined the faculty of St. Olaf College, Northfield, MN in 2005. His St. Olaf college students include many statewide NATS competition winners, perform leading roles in the college operas/shows, soloists and section leaders in the college choirs. Some of his recent graduates have been awarded Graduate Assistantships in prominent programs such as I.U. Bloomington and Denver University. Mark maintains a private studio of young professional singers and teaches master classes in performance at the pre-professional level across the country and in Italy. Recent performances include: Nadir in Bizet’s Les Pecheurs de Perles with FM Opera, Camille in the Operafestival di Roma production of La vedova allegra (The Merry Widow, Lehar) in Rome, Italy, Count Almaviva in productions of Il Barbiere di Siviglia with Acadiana Orchestra, Louisiana and Opera Fort Collins, Colorado, Don Ottavio in Rome, Italy in the Operafestival di Roma production of Don Giovanni. Upcoming engagements include: Berlioz Requiem with Fargo Moorhead Symphony. In January of 2009 Mark and his wife, Cynthia Lawrence will be appearing in recital at the 4th International Conference on the Physiology and Acoustics of Singing at the University of Texas, San Antonio. |
Dressen earned a B.S. from Bemidji State University and an M.F.A. and D.M.A. from the University of Minnesota. He was a voice student of Roy Schuessler and has coached with Gerard Souzay at The Ravel International Academy of Music in France and with Sir Peter Pears and Eleanor Steber. An active performer, Dressen was recently with the Washington Opera at Kennedy Center in Carmen and the world premiere of The Dream of Valentino by Dominick Argento. He has been a soloist with the Minnesota Opera, Saint Paul Chamber Orchestra, Plymouth Music Series, Minnesota Orchestra, and Aldeburgh Festival in England, and has appeared several times with Garrison Keillor in A Prairie Home Companion. Dressen's recordings include Aaron Copland's The Tenderland and Benjamin Britten's Paul Bunyan and The Company of Heaven. He was also editor of an anthology series of opera arias by Benjamin Britten for Boosey & Hawkes publishing company. |
Margaret Eaves-Smith, Associate Professor of Voice, B.M., M.M. in Vocal Performance, Cleveland Institute of Music; student of George Vassos. Soprano, Margaret Eaves-Smith, a native of Havre, Montana, was first recognized as a rising talent early in her career when she received the Artist Award from the National Association of Teachers of Singing in 1973. She has achieved both national and international awards in the Regional Metropolitan Opera, S-Hertogenbosch, and Geneva vocal competitions as well. She has sung with the L'Orchestra de la Suisse Romande and the Minnesota Orchestra, and under the direction of James Levine, Louis Lane, Margaret Hillis and John Rutter. Her coaches have included George London, Elly Ameling, Gerard Souzay, Dalton Baldwin, and James King both in the United States and Europe. Additional study includes master classes in Graz, Austria and Aldeburgh, England. Before her tenure at St. Olaf, she taught on the faculty of the University of Nebraska-Lincoln. With many years experience as a recitalist, adjudicator and with special interest in the performance of lieder, chanson, and oratorio, Margaret has served as a dedicated teacher to St. Olaf students since 1979. In May of 2004, Ms. Eaves-Smith was the recipient of an alumni achievement award for excellence in teaching from the Cleveland Institute of Music. |
Feldt received a B.A. from Luther College, and M.A. in vocal music and pedagogy from the University of Iowa, and a D.M.A. in vocal performance from the University of Minnesota. Her additional study has been with Kerstin Meyer, Rita Streich, and Rudolf Knoll of the Mozarteum, Salzburg, Austria. Feldt has won numerous awards, including first place in the 1992 and 1995 Minnesota District NATS Artist Award Voice Competition, first place in the 1990 Minnesota - Western Wisconsin District Metropolitan Opera auditions, first place in the 1989 Opera/Lied Competition from the city of Salzburg Cultural Foundation, and first place in the 1989 Operetta Competition in Salzburg, Austria. Special interests lie in the performance of lieder, chanson, and opera. |
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 Janis HardyAssociate Professor of Music — Voice hardyj@stolaf.edu Janis Hardy, a native Minnesotan, has performed leading roles for many of our country’s major opera companies including the Houston Grand Opera, San Francisco Opera, Boston Opera, Wolftrap Center for the Performing Arts and Kansas City Lyric. As a member of Minnesota Opera’s Resident Ensemble for more than ten years, she sang roles created for her in many world premieres including Argento’s Postcard from Morocco and Susa’s Transformations as well as many traditional roles, including Cherubino, Dorabella, Mrs. Peachum and Widow Begbick. Soloing with orchestras, she has been conducted by, among others, Neville Marriner, Klaus Tennstedt, Dennis Russell Davies, Hugh Wolff and Aaron Copland, and by Philip Brunelle in VocalEssence since its inception. As a guest soloist she has appreared with many organizations including Minnesota Orchestra, The St. Paul Chamber Orchestra and the Sioux Falls, Duluth and Kansas City symphonies. As a festival soloist, she has appeared with the Aldeburgh Festival in England, The Oregon Bach Festival, The Cabrillo Music Festival in Aptos, California, The New Texas Festival and Minnesota Orchestra’s Sommerfest. Among her discography, are a solo album of Copland’s Old American Folk Songs and Grieg’s Haugtusa as well singing the role of “Ma” in Copland’s Tender Land for Virgin records and “Sister” in Larsen’s In A Winter Garden. Ms Hardy’s concert repertoire reflect her eclectic interests, ranging from all of Bach’s passions, most of Handel’s oratorios to premieres of works by Randall Davidson and Libby Larsen. Ms Hardy has been a frequent guest on Minnesota Public Radio’s, A Prairie Home Companion as well as collaborating with Garrison Keillor in concerts and recordings. She has also collaborated with Bobby McFerrin on an opera project, libretto by Tony Kushner. Her acting credits include Theatre de la Jeune Leune, The Children’s Theater, Frank Theater and Theater Latte Da. Ms Hardy can be heard each August, along with her good friends Maria Jette, Molly Sue McDonald and Dan Chouinad in the popular “Sopranorama” performances at The Southern Theater in Minneapolis. She is also the founder and artistic director of The Theater Playshop, a lyric theater camp for children that performs musicals written by Ms Hardy at the Howard Conn Theater, Plymouth Congregational Church in Minneapolis. In addition to her performing career, Ms Hardy co-founded and co-directs the Lyric Theater program with her colleague, Professor James McKeel. |
Holt received bachelor's and master's degrees from Oxford University. A singer since age 7, he was included as one of the choristers at the coronation of Queen Elizabeth II. He has sung professionally in a Cathedral Choir and in the BBC Singers, and more recently was a founding member of the King's Singers, an internationally renowned, six-voice male vocal ensemble. Since 1987 he has divided his time among professional soloing in oratorio, writing record jacket notes, producing records, being a classical disc jockey, and teaching privately and through various schools. |
Johnson received a B.M. in vocal performance from St. Cloud State University and an M.M. in voice performance from the University of Michigan. She is director of the Manitou Singers. Formerly on the voice faculty at the University of Minnesota and Gustavus Adolphus College and a former member and associate conductor of the Dale Warland Singers and music director of theDale Warland Symphonic Chorus, she prepared symphonic choruses for Neemi Jarvi, Sir Neville Mariner, David Zinman, Stanislaw Skrowaczewsky, Gerard Swartz, Edo de Waart, and Leonard Slatkin. Currently, Johnson is associate conductor and director of special events for Philip Brunelle's Plymouth Music Series of Minnesota and is active as a clinician specializing in women's literature. |
 Mary MartzInstructor in Music — Voice martz@stolaf.edu Mary Martz, soprano, Instructor in Music. B.S. in Performance and Music Education with a minor in Speech Therapy, Moorhead State University. Graduate studies at Amherst College. Ms. Martz has an extensive performance background in opera theatre with the Minnesota Opera, Minnesota Opera Touring Company, other regional companies, oratorio, recitals, and many years of classroom and private voice instruction. She has also taught in the New York NYSSSA program and is Lecturer in Voice at Carleton College. |
Harriet McCleary, soprano, has performed recitals, in operas and oratorios in New Jersey, Pennsylvania, New York, Minnesota, Nebraska, Iowa, Texas and Graz, Austria. Dr. McCleary takes great inspiration from introducing new music to audiences. In 1997 she premiered the first four songs of a set entitled "Chanting to Paradise" by Libby Larsen. In 1999 she premiered a set of songs, "Still Life," by Monte Mason. Formerly on voice faculties at University of Nebraska at Omaha and Westminster Choir College, she teaches on the voice faculty at St. Olaf College and privately at her home studio. Her degrees include B.M.E. and B.M. in Church Music, Texas Christian University; M.M. in Voice, Choral Conducting and Church Music, Westminster Choir College; and D.M.A. in Voice Performance, University of Minnesota. She currently sings with the St. Mark's Episcopal Cathedral Choir, Minneapolis. |
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An avid composer, Mr. McKeel has written over 60 operas, operettas, musicals, choral works, arts songs, and song cycles which have received commissions, grants, and premieres from the Kennedy Center, Minnesota Opera, Minnesota Composers Forum, Jerome & Blandin Foundations, Midwest Opera Theatre, Southern Theatre, Twin Cities Opera Guild, and Bel Canto Voices, among others. His premiered works include the Minnesota Opera children's opera, Jargonauts Ahoy, which toured for two years, played to over 20,000 students, and was featured in a PBS special on reading, In Reference to a Child, a choral song cycle commissioned by the Bel Canto Voices, featured in the Kennedy Center's "Year of the Child" concert, and toured throughout the South Pacific, and Reveille to Requiem, a Civil War opera funded by the Blandin Foundation , SEMAC, and St. Olaf College. His published works include the choral work ChristmasDawning (Shawnee Press) and Sherlock Holmes: Solitary Insect (Blackbird Books, Australia). Recent activities include A Salute to Rodgers and Hammerstein with Henry Charles Smith, the composition of two independent New York film scores Dan Ruff and Plague, stage direction of Christopher Columbus, La Finta Giardiniera, L'enfant et les Sortileges, and a grant from the Twin Cities Opera Guild to produce a touring version of his children's opera The Hero of Hamblett written with critically-acclaimed New York author/illustrator Salvatore Murdocca. In 2007 he reprised his role as the Bishop in The Three Hermits with St. John's University and premiered his jazz-age opera Love Sonnets of a Hoodlum with St. Olaf College. In 2008-09 he will play the role of Galileo directed by Gary Gisselman and will oversee the second production of Love Sonnets of a Hoodlum with St. John's University. Mr. McKeel co-directs the Lyric Theatre Season and teaches Opera Workshop, Acting for the Lyric Stage, and Voice. |
ROBERT C. SMITH, baritone, Associate Professor of Music. B.M., St. Olaf, |
Voice Faculty
