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Norwegian 382 Ibsen (EIN)

An analysis of Henrik Ibsen's most significant plays: idealism, realism, naturalism, symbolism, and new techniques. Discussion will focus on ethical issues.

Instructor: Solveig Zempel, OM 14D, x3471 (home 663-0451)

Office hours: by appointment (call 3471 or send e-mail to "zempel")

Credit: GE: EIN, WRI. Counts toward major/concentration: Norwegian/Nordic Studies

In this course we will study the plays of Henrik Ibsen in English translation. Lectures and additional readings will help place the works in a historical and literary context, will introduce philosophical ideas on which Ibsen based his ethical concerns, and will present various critical approaches. Class discussion will investigate ethical issues and themes in Ibsen's plays. Since class discussion will focus on the readings, you will need to come prepared by thinking and writing about each assigned text. Several short papers will be assigned, as well as oral presentations and group projects. There will be a final oral presentation and paper. You will be encouraged to use the internet for further information, and links will be provided.

Course Requirements:

  • Attendance is required!
  • Preparation for and participation in class discussion
  • daily response/question papers
  • Two 4-6 page papers, revised as directed
    Final 7-10 page paper
  • Portfolio
  • Oral presentations

Response/question papers: Response/question papers are informal and designed to prepare for and stimulate class discussion. They should be 1/2 to 2 pages long, and computer produced. They should reflect your personal reactions to the readings and raise questions that you would like to pose to the class for discussion. Sometimes they may respond to questions provided at the beginning of a unit or to suggestions and questions raised in class. The response/question papers will be prepared before class on the assigned reading for the day and will reflect your thinking about and response to the text in question. Like journal entries, these may be informally written. You may wish to leave space for class discussion and lecture notes to be written directly on your response/question papers, or you may use loose leaf paper that can be kept together with the response papers in a portfolio to be turned in at the end of the semester. Remember to date and sign all your work. These informal "papers" will serve several purposes. They provide an opportunity for you to practice critical responses in writing, to work through ideas for paper topics, to come to class prepared for discussion, and to encounter ideas from others in the class.
Response papers will be turned in at the end of each class period.

Two critical papers. During the course of the semester, you will turn in two critical papers of 4-6 pages each. I will be happy to work with you on brainstorming, drafting, and preparing the final version. Your response/question papers and class discussion will help you think of topics and ideas. These papers may reflect class discussion and should use the text(s) as evidence. You can explore an ethical perspective, give further consideration to responses, argue interpretations offered in class, or relate one text to another or to other interesting ideas.
Due Mar 23 and April 20

Final paper: This 7-10 page paper will serve as a presentation and review of a significant ethical issue in one or more of the plays we read (or an optional reading). In it you will critique the text(s) you have chosen, integrating perspectives from class discussion, other primary and secondary texts read, and in some cases critical articles or other background material. The paper will serve as the final exam for the course, and the final version will be due on Monday, May 22 during the scheduled exam period (2:30-4:30).

Portfolio: You will gather your informal response/question papers, discussion notes, two short papers, and final paper in a portfolio to be handed in at the scheduled final exam period (Monday, May 22-2:30-4:30). A preliminary portfolio will be turned in just before spring break.

Oral presentations: 1) You will work in a group to present a scene from an Ibsen play. The scene you choose and your interpretation of it should reflect an important ethical issue. 2) You will work in a group to try in a court of law a significant character from an Ibsen play. Each group will need an accused, several witnesses, a lawyer for the defense and a prosecutor.

IBSEN TEXTS:You will need to purchase the Geoffrey Hill (Penguin Classics) translation of Brand, and Rolf Fjelde's Ibsen: The Major Prose Plays.

OTHER readings: You will need to purchase Lawrence Hinman, Ethics: A Pluralistic Approach to Moral Theory, Richard Hornby, Script into Performance, Lars Roar Langslet, Ibsen, the Father of Modern Drama, and a reading packet.

Ibsen Texts
REQUIRED
Idealism/Romanticism:
Brand

Social Realism:
Pillars of Society
A Doll House
Ghosts
An Enemy of the People

 Naturalism/Psychological Realism
The Wild Duck
Rosmersholm
Hedda Gabler

Symbolism/Expressionism:
Little Eyolf
When We Dead Awaken

OPTIONAL
Idealism/Romanticism:
Peer Gynt
League of Youth
Emperor and Galilean

Naturalism/Psychological Realism
The Lady from the Sea

Symbolism/Expressionism:
The Master Builder
John Gabriel Borkman

OTHER readings
REQUIRED

Lawrence Hinman, Ethics

Lars Roar Langslet, Ibsen The Father of Modern Drama

Hans Georg Meyer, (excerpts) Henrik Ibsen

E.W. Hattstaedt, Ibsen's Ethical Nationalism

Fredrik Engelstad "Between Moral Responsibility and Fanaticism. Reflections on Henrik Ibsen's Brand" in Contemporary Approaches to Ibsen, Vol. 8.

Richard Hornby, Script into Performance: A Structuralist View of Play Production.

Sigmund Skard "The Ethical Imperative: Henrik Ibsen" in Koht and Skard, The Voice of Norway.

Einar Molland "The Crisis of the 1880's: The Conflict Over Liberal Theology" in Molland Church Life in Norway-1800-1950

OPTIONAL ( in the library)

Brian Johnston "The Philosophical Content of Ibsen's Drama" in Johnston, The Ibsen Cycle

Selections from Kierkegaard, Either/Or and Fear and Trembling.

Norman Rhodes, Ibsen and the Greeks

Joan Templeton, Ibsen's Women

Joan Templeton, "The Doll House Backlash: Criticism, Feminism, and Ibsen" in PMLA

The Guthrie Theater, A Doll's House Study Guide

Paul Baxter, "Håkon Håkonssøn: Ibsen's Portrait of Legitimate Idealism" unpublished paper.

Theodore Jorgenson, Henrik Ibsen: Life and Drama

A Doll House CD-ROM (available in language lab)

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Last updated on Jan 23, 2000