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Norwegian 382 Ibsen (EIN)

Students analyze the plays of Henrik Ibsen in English translation using a variety of critical approaches. Students investigate ethical issues and themes in Ibsen's plays by examining the plays through the lens of ethics, using readings in ethical theory to better understand both the ethical issues and the plays themselves. Students also study Ibsen's dramatic technique and the historical and literary context of his work. Prerequisite: completion of BTS-T or permission of instructor.

Instructor: Solveig Zempel, OM 14D, x3471 (home 663-0451)

Office hours: by appointment, call 3471 or e-mail zempel

Credit: GE: EIN Counts toward major/concentration: Norwegian/Nordic Studies

In this course we will study the plays of Henrik Ibsen in English translation. Lectures and additional readings will help place the works in a historical and literary context, will introduce philosophical ideas on which Ibsen based his ethical concerns, and will present various critical approaches. Class discussion will investigate ethical issues and themes in Ibsen's plays. Since class discussion will focus on the readings, you will need to come prepared by thinking and writing about each assigned text. Several short papers and one final paper will be assigned, as well as oral presentations and group projects. You will be encouraged to use the internet for further information, and links will be provided.

Students who have completed Norwegian 232 are eligible for the FLAC component. Those in the FLAC group will have assigned readings in Norwegian and will meet once a week for one hour to discuss the readings in Norwegian.  You will find the FLAC syllabus here .

Course Requirements:

  • Attendance is required!
  • Preparation for and participation in class discussion
  • Participation in "ethics expert" group
  • Daily response papers (with discussion questions)
  • One 4-6 page paper
  • Group oral presentations ( scene and trial , with scene paper and trial script)
  • Final 7-10 page paper
  • Portfolio (contains response papers, class notes, short paper, scene paper, trial script and final paper)

Response/question papers: Response/question papers are informal and designed to prepare for and stimulate class discussion. They should be 1/2 to 2 pages long, and computer produced. The response/question papers will be prepared before class on the assigned reading for the day and will reflect your thinking about and response to the text in question. Specific guidelines may be found here .  Response papers may be informally written, making use of lists, key words, and incomplete sentences where appropriate.  These informal "papers" serve several purposes. They provide an opportunity for you to practice critical responses in writing, to work through ideas for paper topics, to come to class prepared for discussion, and to encounter ideas from others in the class.
Response papers will be turned in at the end of each class period, and will be returned for inclusion in your portfolio.

One critical paper. During the course of the semester, you will turn in one critical paper of 4-6 pages. I will be happy to work with you on brainstorming, drafting, and preparing the final version. Your response/question papers and class discussion will help you think of topics and ideas. This paper may reflect class discussion and should use the text(s) as evidence. You can explore an ethical perspective, give further consideration to responses, argue interpretations offered in class, or relate one text to another or to other interesting ideas.
Due March 30 (just after spring break)

One scene paper (due April 13) and one trial script (due May 13)

Final paper: This 7-10 page paper will serve as a presentation and review of a significant ethical issue in one or more of the plays we read (or an optional reading). In it you will critique the text(s) you have chosen, integrating perspectives from class discussion, other primary and secondary texts read, and in some cases critical articles or other background material. The paper will serve as the final exam for the course, and the final version will be due May 19 during the scheduled exam period .

Portfolio: You will gather your informal response/question papers, class notes, short paper, scene paper, trial script, and final paper in a portfolio to be handed in at the scheduled final exam period (May 19). A preliminary portfolio will be turned in just before spring break.

Oral presentations:
1) You will be assigned (with several other students) to become the class experts on one of the significant ethical theories.
2) You will work in a group to present a scene from an Ibsen play. The scene you choose and your interpretation of it should reflect an important ethical issue.
3) You will work in a group to try in a court of law a significant character from an Ibsen play on an ethics charge. Each group will need an accused, several witnesses, a lawyer for the defense and a prosecutor. 

If you have a documented disability that will impact your work in this class, please contact me to discuss your needs.  You will also need to register with the Student Disability Services Office, Academic Support Center, Old Main Annex room 1.

IBSEN TEXTS:You will need to purchase the Geoffrey Hill (Penguin Classics) translation of Brand, and Rolf Fjelde's Ibsen: The Major Prose Plays.

OTHER readings: You will need to purchase Lawrence Hinman, Ethics: A Pluralistic Approach to Moral Theory (Third edition),  Richard Hornby, Script into Performance , and a reading packet.

Ibsen Texts
REQUIRED
Idealism/Romanticism:
Brand

Social Realism:
Pillars of Society
A Doll House
Ghosts
An Enemy of the People

 Naturalism/Psychological Realism
The Wild Duck
Rosmersholm
The Lady from the Sea
Hedda Gabler

Symbolism/Expressionism:
The Master Builder
Little Eyolf
When We Dead Awaken

OPTIONAL
Idealism/Romanticism:
Lady Inger of Ostrat
The Pretenders
Peer Gynt
League of Youth
Emperor and Galilean

Symbolism/Expressionism:
John Gabriel Borkman

OTHER readings
REQUIRED

Lawrence Hinman, Ethics

Richard Hornby, Script into Performance: A Structuralist View of Play Production.

(Reading packet)

Chronology and Tidbits

Bjørn Hemmer, "The dramatist Henrik Ibsen"

Ronald Preston, "Christian Ethics," in Singer A Companion to Ethics

Wayne G. Boulton, Thomas D. Kennedy, and Allen Verhey, "An Introduction to Christian Ethics" in From Christ to the World

Fredrik Engelstad "Between Moral Responsibility and Fanaticism. Reflections on Henrik Ibsen's Brand" in Contemporary Approaches to Ibsen, Vol. 8.

Review of Brand

Brand sample translations

Sigmund Skard "The Ethical Imperative: Henrik Ibsen" in Koht and Skard, The Voice of Norway.

Einar Molland "The Crisis of the 1880's: The Conflict Over Liberal Theology" in Molland Church Life in Norway-1800-1950

OPTIONAL ( in the library or available from me)

James McFarlane, The Cambridge Companion to Ibsen (with bibliography)

Brian Johnston "The Philosophical Content of Ibsen's Drama" in Johnston, The Ibsen Cycle

Selections from Kierkegaard, Either/Or and Fear and Trembling.

Norman Rhodes, Ibsen and the Greeks

Joan Templeton, Ibsen's Women

Joan Templeton, "The Doll House Backlash: Criticism, Feminism, and Ibsen" in PMLA

The Guthrie Theater, A Doll's House Study Guide

Paul Baxter, "Håkon Håkonssøn: Ibsen's Portrait of Legitimate Idealism" unpublished paper.

Theodore Jorgenson, Henrik Ibsen: Life and Drama

A Doll House CD-ROM (available in language lab)

Many books and articles on Ibsen's life and work are found in the library.

A few interesting links.
You will be expected to explore the Ibsen Center site and the Ethics Updates site. There are also many other websites with further links for you to explore. Here are a few of them.

Ibsen Center in Oslo (text in Norwegian and English, includes links)

International Ibsen Conference papers

Ibsen.net

Ibsen Society of America

Ibsen: The Emma Goldman papers (the political implications)

Ethics websites include:

Ethics Updates   (goes with the Hinman text)

Centre for Applied Ethics

Journal of Lutheran Ethics

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Last updated on Jan 13, 2004