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MU 342 - Music of the Baroque
Era |
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Online Listening |
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a violation of U.S. copyright law. |
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| Composer/Performer/Genre |
Selection Title |
Call # (bib record access) |
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| Monteverdi |
Ohime,
se tanta amate |
M1549.M6 M3
bk.4 |
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| Caccini |
Deh,
dove fuggiti |
M1623.C3 M3 |
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Udite,
udite amanta |
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Torna,
deh torna |
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| Peri |
L'Euridice |
M1500.P47
E9 |
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Prologue |
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Messenger scene |
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Lassa! Che di spavento e di pietate |
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Per
quel vago boschetto |
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Non
piango e non sospiro |
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| Monteverdi |
Orfeo |
M1500.M65
O7 |
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Toccata |
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Prologue |
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Act III |
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Sinfonia |
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O tu,
ch'inanzi morte |
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Possente
Spirto |
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Ben mi
lusinga |
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Nulla
impresa per uom |
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| D'India |
Riede
la primavera |
M1.E545 M6 |
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| Monteverdi |
Hor
ch'el ciel e la terra |
M1531.M6
bk.8 |
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| Landi |
II Sant'Alessio, Act I |
M1500.L3 S2 |
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Scena
2:1 Sopra Salde colonne |
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Scena
2:2 Arietta a una voce. Se l'hore volano |
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Scena
3:1 Arietta a due voci. Poca voglia di far bene |
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Scena
3:2 Ma cola mesto |
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Scena
4:1 Choro de Demonij. Si disserrino |
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Scena
4:2 Dalla notte profonda. Sdegno horribile |
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| Frescobaldi |
Toccata
nona |
M1.E35 A7
v.2 |
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Partite
sopra passacagli |
M1.P37 C6 |
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Canzona
Quarta |
M22.F69 A8 |
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Ricercar
dopo il credo |
M14.3.F74
F5 v.2 |
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| Fontana |
Sonata
6 |
M5.E577 S6 |
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| Marini |
Sonata
sopra la monica |
M178.M363
I5 |
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| Gabrieli |
In
ecclesiis |
M1999.M8 P7 |
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| Monteverdi |
Nigra
sum |
M3.1.M6 C6 |
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a violation of U.S. copyright law. |
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| Monteverdi |
Gloria
a 7 |
M2018.M6 S4 |
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| Carissimi |
Historia
di Jephte |
M1.P37 C6 |
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| Caroubel/Praetorius |
Passameze
& Gaillarde from Terpsichore |
M3.1.P7 C45 |
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| Gaultier |
Tombeau
de Mezangeau |
M140.G38 P5 |
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| Guedron |
Quel
exces de douleur |
M1611.J33
A3 |
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| Gaultier |
Suite
in F# minor, Prelude |
M140.G38 P5 |
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Suite
in F# minor, Allemande |
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| Mouline |
Fantasie
I |
M2021.M68
C3 |
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| Praetorius |
Nun
komm der Heiden Heiland |
M3.1.P7 C45 |
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| Schein |
Die mit
Tranen saen |
M2072.S34
F6 |
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Maria,
gegrubet seystu, Holdselige |
M2020.S32
O6 pt.2 |
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| Schutz |
Jauchzet
dem Herren, alle Welt |
M2020.S38
P7 |
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O quam
tu pulchra es |
M2020.S35
S9 no.1 |
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Veni
de libano |
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Was
hast du verwirket |
M2018.S35
P4 |
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Saul,
Saul, was verfolgst du mich? |
M1999.M8 P7 |
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| Sweelinck |
Ricercar
del nono duono |
M7.S98 K49 |
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| Scheidt |
Fantasia
super, "Ich ruf zu dir, Herr Jesu Christ" |
M7.S36 T3
v.1 |
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| Froberger |
Canzon |
CD 1125 |
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Allemand,
Courant, & Saraband |
M22.F7 E35
v.3 |
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| Jenkins |
Fantasia
no. 7 in C minor |
M701.J4 A4 |
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| Gibbons |
See,
See, the Word is Incarnate |
M2021.S78
R5 |
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| Dowland |
In
Darkness Let Me Dwell |
M3.1.D69 I5 |
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a violation of U.S. copyright law. |
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| Cavalli |
Giasone |
M1500.C G5 |
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Act I
Scene 14 (last scene) |
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Act II
Scene 11 |
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Act
III Scene 21 |
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Act
III Scene 21 |
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Act
III Scene 21 |
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| Strozzi |
L'Eraclito
amoroso |
M1619.O8
M87 |
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| Rigatti |
Dixit
Dominus |
M2149.5.V5
G3 |
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| Leonarda |
Ave
suavis dilectio |
M3.1.L416
M8 |
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| Cavalli |
Messa
concertata, Kyrie |
M2029.C38
M8 |
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| Couperin |
Tombeau
de M. de Blancrocher |
M24.C68 C8 |
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| D'Anglebert |
Suite in D |
M22.A53 R6 |
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Allemande |
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Deuxieme
Courante |
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Sarabande |
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Gigue |
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| Marais |
Suite no. 6 |
M990.M37
P54 |
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Prelude |
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Allemande |
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Chaconne |
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| Lully |
Alceste |
M1500.L8
A38 |
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Ouverture |
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Scene iii |
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Lycas,
j'ai deux mots a te dire |
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Je
pretends rire |
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Je
vois ton amour sans colere |
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Moins
on a de moments a donner a Amour |
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Le
mepris d'un volage |
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Scene vii |
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Air
pour les Matelots |
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Air,
rondeau |
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Loure
pour les pecheurs |
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Prelude. Dieux, le pont s'abime dans l'eau |
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Scene viii |
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Epoux
infortune, redoute ma colere |
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Les
Vents |
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Scene ix |
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Ritournelle. Le ciel protégé les heros |
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| Patino |
Maria,
Mater Dei |
M1495.C37
S2 |
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| Negrilla |
Ah,
siolo Flasiquiyo |
M1999.H37 |
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| de Castro |
Estavase
el aldeana |
M1579.C65
C3 |
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| Cabanilles |
Tiento
XXIV de falses 8. punt alt |
M7.C33 O2 |
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| Jimenez |
Batalla
de 6 tono |
M7.B68 O7 |
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| Boddecker |
Natus
est Jesus |
M2102.K57
C4 |
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| Weckmann |
Zion
spricht: Der Herr hat mich verlassen |
M3.1.W384
S2 |
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| Tunder |
Ein
feste Burg ist unser gott |
M2020.C65
A9 |
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Komm,
Heiliger Geist, Herre Gott |
CD 728 |
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| Buxtehude |
Passacaglio |
M6.K4 P5 |
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Praeludium |
M7.B8 N6 |
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a violation of U.S. copyright law. |
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| Rosenmuller |
Sonata
II from Sonate da camera |
M178.P37 G4 |
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| von Biber |
Battalia |
M3.1.B53 S2 |
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| Vejvanovsky |
Sonata
vespertina |
M2149.5.V5
V4 |
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| Stradella |
Sonata
di viole |
M3.1.S857
C3 |
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| Corelli |
Trio
Sonata, Op. 4 no. 1 |
M311.C6 T7 |
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Concerto Op. 6, no. 1 |
M1140.C67
op. 6 no. 1-6 |
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Large-Allegro-Largo-Allegro |
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Largo |
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Allegro |
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Allegro |
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| Torelli |
Concerto in D for Trumpet and Strings |
M5.S7 B37 |
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Allegro |
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Adagio
- Presto - Adagio |
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Allegro |
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| Vivaldi |
Op. 3, Concerto no. 3 in G Major |
M1112.V5
E85 |
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Allegro |
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Largo |
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Allegro |
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| Humfrey |
Hear O
heavns |
M2062.C66
V47 |
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| Locke |
O Be
Joyful in the Lord, All Ye Lands |
M2029.L63
A5 |
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| Purcell |
Sound the Trumpet, Beat the Drum |
M1530.P8
C66 |
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symphony |
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high
tenor & bass - chorus |
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high
tenor - chorus |
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alto
& high tenor - ritornello |
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tenor
& bass - chorus |
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chaconne |
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bass |
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alto,
tenor & bass - sextet: chorus |
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The Fairy Queen, Act II, Masque of Sleep |
M1500.P8 F3
1993 |
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(track
5) |
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(track
6) |
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(track
7) |
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(track
8) |
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(track
9) |
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(track
10) |
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(track
11) |
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(track
12) |
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(track
13) |
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(track
14) |
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| Handel |
Tamerlano |
CD 368 |
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Aria:
"Forte e lieto a morte andrei" |
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Recitativo:
"Oh perme lieto" |
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| Scarlatti |
Il genio di Mitilde |
M1611.S3 C3
v.2 |
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Recitativo:
Il genio di Mitilde mente non v'e |
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Aria:
Spiritoso: Tante il mar non ha procelle |
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Recitativo:
Ella muove talor per vie romite |
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Aria:
Allegro: Cosi d'amor lo strale fugga |
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| Bonporti |
Ite molles ite flores |
M2103.3.B66
op. 3 |
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Presto |
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Recitativo |
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Allegro |
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Recitativo |
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Adagio
assai |
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Vivace |
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| Rameau |
Hippolyte et Aricie |
M1500.R28
H57 |
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Bruit
de la Mer et Vents (from Scene 3) |
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Scene
4: Quelle plainte en ces lieux m'appelle? |
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| Couperin |
La
Tenebreuse |
M22.C63 P5
bk.1 G5 |
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L'Apotheose de Lully |
M313.C6 A6 |
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Movement
1 |
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Movement
10 |
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Movement
11 |
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| Bach |
Passacaglia
in C Minor |
M7.B11 A39
v.14 |
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Allein
gott in der Hoh' sei Ehr, BWV663 |
M7.B11 A39
v.1 |
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Allein
Gott in der Hoh' sei Ehr BWV675 |
M7.B11 A39
v.6 |
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Allein
Gott in der Hoh' sei Ehr BWV676 |
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Allein
Gott in der Hoh' sei Ehr BWV677 |
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Prelude and Fugue in B-flat Major |
M3.B2 1998
v.116 |
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Praeludium |
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Fuga |
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Cantata no. 80, Ein feste Burg ist unser Gott |
M2020.B16
BWV147 |
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Choro/Ein
feste Burg ist unser Gott |
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Aria/Alles,
was von gott geboren |
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Recitativo/Erwage
doch, Kind Gottes |
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Aria/Komm
in mein Herzenshaus |
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Choral/Und
wenn die Welt voll Teufel war |
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Recitativo/So
stehe denn bei Christi . . . |
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Aria/Wie
selig sind doch die |
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Choral/Das
Wort sie sollen lassen stahn |
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St. Matthew Passion |
M2000.B3 M3
2000 |
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Cori/Kommt,
ihr Tochter |
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Evangelista/Da
Juses diese Rede |
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Choral/Herzliebster
Jesu |
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Evangelista/Da
versammleten sich |
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Recitativo/Du
lieber Heiland du |
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Arai/Buss
und Reu |
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Brandenburg Concerto no. 5 |
M1040.B22
B7 |
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Allegro |
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Affettuoso |
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Allegro |
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| Handel |
Saul |
M2000.H3
S35 |
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How
excellent thy name |
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An
infant rais'd by the command |
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Along
the monster atheist strode |
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The
youth inspir'd by Thee |
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Wretch
that I am! |
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With
me what wouldst thou? |
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Why
has thou forc'd me from the realms of peace |
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Mourn,
Israel |
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