Anyone who runs to the theater to see Almost Famous because the previews proclaim it's from Cameron Crowe, the director of Jerry Maguire, may be in for a bit of a surprise.

That does not mean, however, that they will not enjoy the film. Although different in tone, scope and style from the 1996 Tom Cruise vehicle, this film is a treat in all respects. From a hugely talented ensemble cast to a poignant Wonder Years-esque coming-of-age storyline, this movie (along with Nurse Betty) has opened the door for a quality fall movie season.

Crowe's story, based on his own life, takes us back to 1973, and revolves around 15-year-old William Miller (awesome newcomer Patrick Fugit), who becomes interested in rock music after his sister takes off, leaving her family­and album collection-­behind. William becomes so passionate about his new interest that with the help of his mentor Lester Bangs (Phillip Seymour Hoffman) he lands a writing assignment for Rolling Stone.

His quest finds him on the road with a rising band called Stillwater, headed by lead singer Russell Hammond (Billy Crudup), much to the dismay of his college professor mom (the brilliant Frances McDormand).

William, who all the while tries to remain an observer, can't help but become part of the group's dynamic, as he gets his first taste of excitement, sex and love. The object of his affection is Penny Lane (Kate Hudson) a "Band Aid" who is there to entertain the group, but whose primary interest is in Russell.

William has the time of his life on his journey, but the pressure surrounding him tightens as his mother begs him to come home and his Rolling Stone deadline approaches. He is also forced to find the line between writer and friend to determine how to write about the band without complicating his relationships with its members.

Cameron Crowe has a history of winning ensembles in his films (witness Jerry Maguire's Tom Cruise-Renee Zellweger-Cuba Gooding, Jr.-Bonnie Hunt combo) and this is his best yet. Newcomer Patrick Fugit perfectly embodies William, who is clearly the heart and soul of the film. He displays just the right combination of wit and wonder to show that even though William is young and inexperienced, he has what it takes to alter the life of a band.

Fargo's Frances McDormand is likely to earn another Oscar nomination for her witty turn as William's mother, Elaine. From her humorous pleas to William ("Don't do drugs!") to her sad longing for his return, few actresses can combine comedy and drama so believably. She makes it look easy to play a character who prompts many to tell William, "Your mom freaks me out!"

Also contributing greatly to the film's core is Kate Hudson, who will no doubt be a big star after her performance here. Although Penny can make a party by entering a room, Hudson ditches the ditziness so often exhibited by her mother, Goldie Hawn, in favor of vibrancy and raw energy.

Reliable actors like Phillip Seymour Hoffman and Noah Taylor also contribute to the film's impact, but it is Crowe's guiding hand that keeps the rich characters and relationships from being overshadowed by any excessive plot concerning the band.

Through much wit and color, we get a glimpse of the life of a 70s youth and with him the questions that accompany true journalism and the value of relationships. Crowe also allows us to go along with William for a wild ride, to see the exciting world of rock, the reality of complex lovers and the result of self-examination.