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The Psychology of Good and EvilGE 111 (c & i) |
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MWF 10:45-11:40 (c) in RML420 |
current as of 2/8/08 |
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| Franz DeWaal |
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| Colby & Damon | |
| Hacker |
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| Kooser |
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| Browning | Ordinary Men: Reserve Police Batallion 101 and the Final Solution in Poland (OM) |
Plus some stuff I run across
during the term. |
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This course is supposed to be about writing, but it will really be about thinking. By this I mean we will write to discover what we think. Do not be fooled, thinking is not a solitary activity: you might have private thoughtsand feelings, but you can sharpen them and make them more clear by writing about them. This is what we will do.
There will be a series of three official topics books that we will read, and also three main writing assigments. These are only somewhat related. The readings will allow us to have some fun discussion about how morality works. The assignments will allow us to think about morality.
Each assignment will be structured to provide you with a chance to revise your work based on the comments of others. Thus, you will be both an author and reviewer of work. I am also available for consulting on your paper. It is best to send email to make an appointment.
The first writing assignment will be writing an essay about a moral issue related to those we are reading about. Your voice will be that of an expert in the area, and you will marshal both arguments and evidence to support your position. Your editorial should be about 1,000 words in length and may contain one picture, figure, or table. You should include a separate paragraph of about 150 words that explains the rhetorical choices you made in your editorial.
By the time the first draft of this assignment is due, you should have had the opportunity to view one of the four assigned films for this class.Your film review should, again, focus on the moral aspects of the actions of those in the film or in the real life events that the film portrays.
We will write poetry together and critique each other's work in class. The point of this exercise is to learn how to read sentences closely for revision, and how to make selections among options for revision. Thus, we will be a critic of each other's poems and you will respond to the critique of your poem. These poems should in some way be a response to our reading this term or to your earlier assignments.
For every class for which there is a reading assignment in the first column below, you will bring to class a 3x5 card with two to three questions or comments on it. You should put your name on this card, and I will collect it sometime during class. We may pass the cards around in class, so don't put anything on it that you would not want another student to see. Our discussions of the readings will be driven by your comments and questions.
If you have a documented disability that will impact your work in this class, please contact me to discuss your needs. Additionally, you will need to register with Student Disability Services located at the Academic Support Center in Room 1 of the Old Main Annex. All such discussions will be confidential.
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Day |
Assignment |
Topic |
Notes |
| F 8 | show
up |
Intro
to class |
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| M 11 | OM
Preface - Chap 2 and the Stanford
Prison Experiment |
Milgram
and Obedience |
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| W 13 | OM
3-4 |
The
Structure of the Killing |
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| F 15 | OM
Afterward |
The
Role of Prejudice & Character |
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| M 18 | OM
5 - 8 |
The
first slaughter |
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| W 20 | OM
9 - 12 |
Descent
& Deportation |
Topic
& Outline Due |
| F 22 | Huff in San Antonio |
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| M 25 | OM
13 - 16 |
Endgame |
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| W 27 | OM
17 & 18 |
Reflections
on Humanity |
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| F 29 | Hacker
on Argument |
Constructing
an Argument |
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| M 3 | Hacker
on Review |
Practicing
Review |
1st
Draft Opinion |
| W 5 | PP
Intro to p 21 |
Primates |
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| F 7 | PP21
- 42 |
Empathy
in Primates |
Review
Due |
| M 10 | PP
42 - 58 |
Fairness
in Primates |
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| W 12 | PP
Ap A & B |
Methods |
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| F 14 | PP
Ap C |
Animal
Rights |
Final
Draft Opinion |
| M 17 | PP
Koresgaard |
Human
Distinctiveness |
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| W 19 | Huff in Wash DC |
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| F 21 | Spring Break |
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| M 24 | Still Spring Break |
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| W 26 | More Spring Break |
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| F 28 | Still More Spring Break |
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| M 31 | PP
Singer |
Human
Distinctiveness |
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| W 2 | Robert
Kolker |
Cuts,
Shots, and Angles |
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| F 4 | SDC
1 & 2 |
Problem
& Method |
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| M 7 | SDC
3 |
Suzie
Valdez |
1st
Draft Review |
| W 9 | SDC
5 |
Virginia
Durr |
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| F 11 | SDC
8 |
Charlezetta
Waddles |
Review
Due |
| M 14 | SDC7 |
Development |
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| W 16 | SDC
10 |
Hope |
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| F 18 | SDC
11 |
Character |
Final
Draft Review |
| M 21 | PHRM
1 & 2 |
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| W 23 | PHRM
3 & 4 |
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| F 25 | PHRM
5 |
Library
Assignment |
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| M 28 | PHRM
6 |
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| W 30 | PHRM
7 |
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| F 2 | PHRM
8 |
5
Poets |
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| M 5 | PHRM
9 |
5
Poets |
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| W 7 | PHRM
10 |
4
Poets |
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| F 9 | PHRM
11 |
4
Poets |
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| M 12 | Consultation
with Prof Huff |
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| W 14 | Consultation
with Prof. Huff |
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Fri.
16th 9 AM Sec. C |
Teus.
20 2 PM Sec. i |
Poetry
Reading |