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SELECTED BIBLIOGRAPHY
JOURNAL ARTICLES:
Mahr, Timothy, "Aus der Werkstatt des Komponisten: Endurance,"
Clarino: Internationale Zeitschrift für Bläsermusik,
July/August, 1997, pp. 22-26. (Analysis of Endurance translated
into German)
______. "An Interpretive Analysis of Color," The Instrumentalist,
Vol. 51, No. 3, October, 1996, pp. 2628, 30, 32, 111.
______. "Do I Dare? Commissioning a New Work," The Wisconsin
School Musician, April, 1993, pp. 4042.
______. "Do I Dare? Commissioning a New Work," reprint of
article in The Wisconsin School Musician (see above) in The
NFIMA Journal, Vol. 12, No. 1, 1995-96, pp. 710. (National Federation
Interscholastic Music Association)
______. Composers on Conducting, edited by Mark Camphouse. (Chicago,
IL: GIA Publications, 2002), contributor.
______. "Reflections on the 1997 Alberta Honour Band," Musicom:
Alberta Band Association, Vol. 9, No. 4, Winter, 1997, pp. 89.
______. Strategies for Teaching: High School General Music, compiled
and edited by Keith Thompson and Gloria Kiester (Reston, VA: Music Educators
National Conference, 1997), contributor.
______. Selective Music List for Bands, edited by Richard Strange.
(Nashville, TN: National Band Association, 1997), contributor.
BIBLIOGRAPHY:
Battisti, Frank. The Twentieth Century American Wind Band/Ensemble:
History, Literature and Development, pp. 57, 76. (Ft. Lauderdale,
Florida: Meredith Music Publications, 1995) (citation of The Soaring
Hawk winning the 1991 Ostwald Award and Endurance being the
first commission of the American Bandmasters Association Commissioning
Project)
Begian, Harry. "Standards of Excellence for Band Repertoire,"
pp. 1519, The Instrumentalist, January, 1991. (cites Fantasia
in G as one of 71 original works for band selected by national panel)
Buch, Joachim. "Fragen zur Person," Clarino: Internationale
Zeitschrift für Bläsermusik, July/August, 1997, p. 72. (interview
article)
______. "Nachrichten," Clarino: Internationale Zeitschrift
für Bläsermusik, spring, 1995, p. 5. (photo and quotes from
interview article in The Instrumentalist [see Thomson], translated
into German)
Casey, Joseph. Teaching Techniques and Insights for Instrumental
Music Educators, (Chicago: GIA Publications, 1991). (numerous contributed
quotations)
Conway, Michael. "New Song will honor New Trier Grad," p.
7,Wilmette Life, April 30, 1998. (article about the premiere of
sol solator)
Dragulla, Jastrow and Snider. "Percussion in the Concert Band:
An Annotated List," Percussive Arts Journal, July, 1986. (Fantasia
in G)
Duarte, Hiedstand, Prater and Prater. Band Music That Really Works!,
pp. 54, 85, 99, (Burlingame, CA: Contrapuntal Publications, 1989). (Argentum)
Fox, Gregory. Performance, Conducting, and Rehearsal Problems in
Five Selected Contemporary Works for Wind Band. (Ed. D. dissertation,
University of Illinois at Urbana - Champaign, 1986). (Fantasia in G
ranked 41st out of 85 by an expert panel on a list of exemplary works
for band composed or published between 19701983)
Furst, J.P. "Not just another band," The Duluth News-Tribune,
pp. 1, 34, May 20, 1990. (Feature article in Sunday supplement about
Mahr and the founding of the Twin Ports Wind Ensemble)
Gilbert, Jay. An Evaluation of Compositions for Wind Band according
to Specific Criteria of Serious Artistic Merit: A Replication and Update.
(D.M. dissertation, Northwestern University, 1992). (The Soaring Hawk
ranked number 254 of 1,158 works that were rated)
Grechefksy, Robert. "Masterworks for Grade 4 Band," The
Instrumentalist, pp. 25-30, September, 1998 Vol. 53, No. 2 (Argentum)
Hauswirth, Felix. 1000 ausgewählte Werke für Blasorchester
und Bläserensembles, pp. 21, 44, 55, (Hauswirth, 1992). (Fantasia
in G)
Lee, Mary. "Exposed Northerners: The Twin Ports Wind Ensemble,"
New Ways,
pp. C6C7, Winter, 1993, Vol. 8, No. 2. (feature article)
Lenzini, Catherine. "Emerging Band Classics," The Instrumentalist,
pp. 1722, 27, November, 1996, Vol. 51, No. 4. (Fantasia in G
and Endurance)
______. "Music Everyone Enjoys," The Instrumentalist,
p. 15, October, 1996, Vol. 51, No. 3. (Mahr photo and citation of The
Soaring Hawk and Endurance)
Miles, Richard, et. al. Teaching Music Through Performance in Band,
Vols. 2 and 3.
Chicago: GIA Publications, 1998 and 2000 (Analysis articles on Daydream
and Fantasia in G)
Nimmo, Douglas. "Reflections of a Young Composer-An Interview with
Timothy Mahr," pp. 1418, BD Guide, March/April, 1993,Vol.
7, No. 4.
Peterson, Steven. A Survey of Concert Programming Techniques Employed
by Selected College and University Wind Conductors in the United States.
(D.M. dissertation, Northwestern University, 1991, pp. 7881, 261-265).
(Mahr one of 28 conductors included in this study)
Pride, Doris. "Tim Mahr: UMD's Music Man," UMD Bridge,
Vol. 6, No. 2, p. 4,1989.
Also reprinted in Skyworld Duluth News, Nov., 1989, and the Duluth
Budgeteer, Nov. 12, 1989.
Rasmussen, Richard. Recorded Concert Band Music, 1950-1987: A Selected,
Annotated Listing, p. 219, (Jefferson, NC & London: McFarland
& Co., 1988). (Fantasia in G)
Rehrig, William. The Heritage Encyclopedia of Band Music: Composers
and Their Music, Vol. 1, p. 488. (Westerville, OH: Integrity Press,
1991). (Biographical sketch and composition list); also Vol. 3, pp. 504505.
Ripley, James. "Pulitzer Prize Composers Contributions to Band
and Wind Ensemble Literature," The Journal of Band Research,
Vol. 35, No. 1 (Fall. 1999), 1-12. (Mahr's dissertation is basis of this
article)
______. "Timothy Mahr's Fantasia," The Instrumentalist,
Vol. 50, No. 9 (April, 1996), 2432.
Selective Music List for Bands, edited by Richard Strange. (Nashville,
TN: National Band Association, 1997. (Fantasia in G, The Soaring
Hawk, and Endurance)
Smith, Norman. Program Notes for Band, Lake Charles, LA: Program
Note Press, pp. 39899. (Mahr bio, works listing and selected program
notes.
Suppan, Wolfgang. Das Neue Lexicon des Blasmusikwesens, pp. 23435,
(Freiburg- Tiengen: Blasmusikverlag Schulz GMBH, 1988). (Biographical
sketch and composition list)
The Director's Guide to Festival and Contest Music, ed. C. Sidney
Berg, p. 57 (Northfield, IL: The Instrumentalist, 1988). (Fantasia
in G)
Thomson, John. "Of Conducting and Composing: An Interview with
Timothy Mahr," The Instrumentalist, Vol. 49, No. 8 (March,
1995), pp. 1015. (Cover feature)
______. "Of Conducting and Composing: An Interview with Timothy
Mahr," Musicom, Vol. 29, No. 4, Winter, 1997, pp. 1518.
[Reprint in the band journal of the Alberta (Canada) Band Association
of Thomson's article cited above]
Who's Who in American Music: Classical, ed. Jaques Cattell Press,
(New York & London: R.R. Bowker Company, 1985). (Biographical sketch
and composition list)
Woike, David. Wind Band Performance Repertoire at the University
Level: A Survey of Collegiate Wind Band Curricula and Current Repertoire
Selection Processes. (Ph. D. dissertation, Ohio State University,
1990) (Number of performances of Fantasia in G found to be in the
top 50 of all works performed 19851989)
Unnamed author. "Musical composition premieres Satruday in memory
of former BG student Jody Krone," Bowling Green Sentinel-Tribune
(OH) , April 24, 1996, p. 16. (article on the premiere of in
mind, in spiri")
REVIEWS:
Bly, Leon. "Exakt und entusiastisch," Clarino: Internationale
Zeitschrift für Bläsermusik, July/August, 1997, pp. 3435.
(Review of St. Olaf Band compact disc recording A Musical Observance)
Earnest, Mark. "Mathis, orchestra perform medley of heartfelt tunes
to full house," The Duluth News-Tribune, p. 5A, March 19,
1993. (Review of guest conducting of Duluth-Superior Symphony Orchestra)
Fought, Robert. "Band Music Reviews," The Nebraska Music
Educator, Vol. 51, No. 2, October, 1992, p. 50. (Daydream)
______. "Band Music Reviews," The Nebraska Music Educator,
Vol. 46, No. 3, February, 1988, p. 22. (Argentum)
Groeling, Charles. "New Music Reviews," The Instrumentalist,
Vol. 52, No. 8, March, 1998, p. 102. (When I Close My Eyes, I See Dancers)
Jones, Richard. "New repertoire at Grade Five Level," WINDS,
autumn, 1998, p. 24. "When I Close My Eyes, I See Dancers
and Spring Divertimento)
Lambert, James. "New Music Reviews," The Instrumentalist,
Vol. 46, No. 9, April, 1992, p. 68. (The Soaring Hawk)
______. "New Music Reviews," The Instrumentalist, Vol.
47, No. 3, October, 1992, p. 100. (Imprints)
Lysebo, Odd Terje. "Kirke-fantasier," Janitsar'N, January,
1988. (Fantasia in G)
______. "Uvanlig og god," Norwegian Band Magazine,
Spring, 1992. (The Soaring Hawk)
Perkins, Bruce. "The St. Olaf Band," WINDS, fall, 1996,
p. 48 (Review of St. Olaf Band compact disc recording A Musical Observance)
Phelps, Katharine. "Northwestern University's Summer Music Program,"
The Flutist's Quarterly, Vol. 16, No. 4, fall, 1991, p. 27. (review
of Mahr's teaching at Northwestern University's Summer Session with National
High School Institute Concert Band)
Rocco, Roger. "New Music Reviews," The Instrumentalist,
Vol. 47, No. 5, December, 1992, p. 73. (Daydream)
Simmons, Walter. "Classical Recordings," Fanfare, Vol.
22, No. 2, November/December, 1998, pp. 204206. (Fantasia in
G)
Simons, C.W. "Symphony Band hits right notes," The Daily
Iowan, April 15, 1988. (Passages)
Stoll, Frieder. "Tänzerischer Funke," Clarino,
Vol . 9, No. 11, p. 29. (Spring Divertimento)
Thomson, John. "New Music Reviews," The Instrumentalist,
Vol. 51, No. 8, May, 1997, p. 82. (The View from the Mountaintop)
Williamson, Jack. "Reviews," BAND, Vol. 1, No. 3, 1985,
p. 22. (Fanfare and Grand March)
______. "Reviews," BD Guide, Vol. 2, No. 1, 1987, p.
30. (Argentum)
______. "Reviews," BD Guide, Vol. 6, No. 1, 1991, p.
49. (The Soaring Hawk)
______. "Reviews," BD Guide, Vol. 7, No. 1, 1992, p.
43. (Daydream)
______. "Reviews," BD Guide, Vol. 7, No. 1, 1992, p.
44. (Imprints)
Unkown Reviewer. "New Music Reviews," Pennsylvania Music
Educators Association News, fall, 1992. (Imprint)
Unkown Reviewer. "New Music Reviews," WINDS, spring,
1995. (Endurance)
Ziegler, Ralph. "Vergleischende Diskographie: Gloriosa,"
Clarino: Internationale Zeitschrift für Bläsermusik,
January, 1998, pp. 29-30. (Review of St. Olaf Band compact disc recording
Praise the Lord with Drums and Cymbals, which contains Yasuhide
Ito's composition Gloriosa)
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