KrisAnne Weiss, mezzo-soprano, has performed leading roles in many operas, including L’Italiana in Algeri, The Dangerous Liaisons, The Merry Wives of Windsor, Le Nozze di Figaro, Così fan tutte, Carmen, and Madama Butterfly. She has appeared with Lyric Opera of the North, Pine Mountain Music Festival, Fargo Moorhead Opera, Opera Omaha, Central City Opera, Minnesota Concert Opera, and Minnesota Opera. Her concert appearances include solos in Bach’s B Minor Mass, St John Passion, and St Matthew Passion; Mozart’s C Minor Mass, Coronation Mass, and Requiem; and Vivaldi’s Gloria and Magnificat. She has performed with Zeitgeist, Nautilus Music-Theater, Valley Chamber Chorale, St. Catherine Choral Society, the Bakken Trio, Lawrence University Symphony Orchestra, Mississippi Valley Orchestra, Plymouth Symphony, Bel Canto Chorus of Milwaukee, Duluth-Superior Symphony Orchestra, Exultate, and the Metropolitan Symphony Orchestra, among others.

An advocate of contemporary music, Dr. Weiss has premiered and workshopped countless new compositions, among them John Tartaglia’s orchestral work Dark Night, Glad Day, Edie Hill’s dramatic concert work Amy Lowell: A Rare Pattern, and the lead role in Chris Gable’s opera The Ladysmith Story. In 2014, she was one of five performers selected to join Nautilus Music-Theater’s Composer-Librettist studio, a two-week workshop that yielded 25 new pieces of music-theater. Also an accomplished recitalist, chamber musician, and narrator, Dr. Weiss has given many solo recitals in the Twin Cities and can be heard in frequent collaborations with other local musicians.

Dr. Weiss completed her Master of Music and Doctor of Musical Arts degrees at the University of Minnesota, where she received the University Fellowship, the Graduate Research Partnership Program Grant, and the Schuessler Graduate Prize in Voice. She has taught on the voice faculties of the University of Minnesota, Lawrence University, Luther College, and Lutheran Summer Music Festival and Academy.